For Stage Managers

Run-Of-Show, To The Minute.

The SM lives on the ROS. ATLVS gives you cue numbers, departments, departmental notes — the cue book shape, with everything else on the production hanging off it.

What Stage Managers Run Day-To-Day.

ROS To The Minute

Cue number, time, duration, department, notes. Publishes to portals so artist sees set time, crew sees call, vendor sees delivery window.

Cue Book Shape

Reads like a cue book. Filterable per department. Comms channels per cue when relevant.

Crew Calls

Call sheet flows from the schedule to the portal to the ICS. Per-crew call times based on ROS dependency.

Conflict Detection

Double-booked crew, gear, or venues surface before they cost you.

Real-Time Direction

Show-call notes captured live; post-show debrief writes itself from the timestamped log.

Set Time Communication

Artists see their set time in the portal. Changes notify automatically; nobody texts asking 'is doors still 8?'

Familiar?

The Pain You're Working Around.

ROS in a shared Google Doc that two people edit simultaneously
Crew call texted out the morning of and never reconciled to the budget
Show notes captured in a notebook that lives in someone's bag

Modules You Live In.

Schedule + ROS Advancing Event Guides (KBYG)Stakeholder Portals

Industries You Work In.

Concerts Festivals & Tours Theatrical Performances

Stage Managers · FAQ

Does it replace our cue-call software?

For the call book itself — usually yes. For comms intercom — no, we don't replace Clear-Com or Riedel. We're the canonical schedule and notes layer that lives above the comms hardware.

Run Stage Managers' Workflow On ATLVS.

Free for small teams. Per-org pricing the rest of the way up.

Other Roles.

Tour Managers Production Managers Festival Directors Site Managers Technical Directors Talent Buyers EHS / Safety Leads