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DICE Alternatives

DICE Alternatives, Built for Live Production.

If you're sizing up an alternative to DICE, you've likely outgrown one of these: the per-seat math, the missing production primitives, or the workflow that doesn't survive the second show. Here's what holds from pitch through wrap, and what's worked for teams that moved.

Last updated June 18, 2026

What DICE Does Well.

Credit where it's due before we talk alternatives. DICE earned its place. Here's where it delivers.

  • Consumer discovery app that sells tickets
  • Fan-first ticketing: face value, tickets held in-app
  • Partner tools: event setup, sales tracking, payouts
  • You are a club, promoter or festival in DICE's markets and want discovery reach plus a fan-first brand on the ticket itself. That consumer surface is DICE's published product and nothing in ATLVS replaces it.
  • Your audience lives on mobile discovery and the listing is a real sales channel, not just a checkout.

Where Production Teams Hit the Wall.

These are the gaps we hear from teams weighing an alternative. Your run-of-show may vary.

  • Credential advance tied to the production
  • Field crew ops (shifts, incidents, custody)
  • Knowledge hub: courses, certifications, SOPs
  • Public marketplace beyond tickets (talent, gigs, RFPs)
The ATLVS Alternative

ATLVS Technologies vs. DICE: the production record vs. fan-first mobile ticketing.

DICE's published position is the fan side: a mobile app where fans discover shows and buy tickets held securely in-app, a stated no-hidden-fees stance, and partner tooling for venues and promoters to create events, track sales and get paid, with discovery driving a meaningful share of sales. It is a consumer product with a partner console behind it. ATLVS lives behind the listing: COMPVSS runs the crew and the gate offline-first, the incident and custody record, and the credential advance; LEG3ND holds the knowledge; GVTEWAY faces the public for talent, gigs and RFPs. The operator console is coming.

The show behind the listing

DICE gets the fan to the door. ATLVS runs everything the fan never sees: the advance, the crew shifts, the incident chain, the custody trail and the gate journal, on one org record.

Your gate, your record

COMPVSS scans offline on your own hardware and journals every result. The production's access record belongs to the production.

More than the ticket-buying public

GVTEWAY faces the public with talent, gigs and RFPs, and LEG3ND keeps the org's knowledge. A ticketing platform has no reason to carry either.

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How to Migrate.

The path teams take to move off DICE.

  1. Keep selling through DICE; import ticket batches to COMPVSS so your own gate can scan offline where that is the operating model
  2. Run the production record, crew, incidents, custody, advance, on ATLVS alongside the ticketer

DICE Alternatives · FAQ

Is ATLVS a DICE competitor?
Barely. DICE's published product is fan-facing discovery and ticketing; ATLVS ships the production record behind the show. Most orgs that love their ticketer keep it and run the production on ATLVS.
Can we use COMPVSS at the gate for a DICE show?
Where you control the gate hardware and can import the ticket batch, yes: offline scans, journaled results, on the production's record. Where the ticketer's own scanning is contractual, run that and keep the crew record on COMPVSS.

Other Alternatives to Consider.

See how production teams size up the rest of the field.

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Prism.fm alternatives
Asana alternatives
Monday.com alternatives
Spreadsheets alternatives
Cvent alternatives
Bizzabo alternatives
Eventbrite alternatives
Procore alternatives
Notion alternatives
Airtable alternatives

ATLVS Is Open.

Free forever for small teams. Migrate when you're ready. No credit card.

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