Prism is purpose-built for the deal and the payout: a hold-to-confirm calendar, fast offer generation, co-promotion and percentage math, contracts, and show-by-show P&L. For a venue or promoter whose product is the calendar and the settlement, it is sharp. Advancing, crew, the credential gate and the audience all live between the offer and the payout. That is where Atlas runs.
See how Atlas runs the production office.
Last updated June 18, 2026
Side by side, no marketing math.
| Feature | Atlas | Prism.fm |
|---|---|---|
Booking calendar: holds, offers, confirms Prism's core strength | ||
Settlement, co-pro splits, show P&L | ||
Contracts + offer generation | ||
Production advancing (riders, stage plots, RFIs) | ||
Crew ops in the field (clock-in, shifts, offline) | ||
Credentials & accreditation | ||
Offline gate scan (sub-100ms atomic) | ||
Procurement, vendor COIs, Stripe Connect payouts | Settlement-side | |
Public marketplace (tickets, talent, gigs, RFPs) | ||
Knowledge base · LMS · certifications | ||
Per-org pricing, unlimited users | ||
One record store: office · field · public · knowledge |
Prism brackets the show with the offer and the settlement. Atlas runs the production in between (advancing, crew, procurement, the gate) on the same record the deal lives on.
Compass scans at the gate offline and runs crew clock-in. Prism is a booking and finance surface; it does not go to the field.
Gateway is a public marketplace covering discovery, talent, gigs and RFPs. Prism faces the venue's booking team, not the guest.
Festivals, activations, fabrication and broadcast share one platform. Prism is tuned for the music-venue calendar specifically.
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