ATLVS vs. Prism.fm

ATLVS Technologies vs. Prism.fm: production ecosystem vs. booking & settlement desk.

Prism is purpose-built for the deal and the payout: a hold-to-confirm calendar, fast offer generation, co-promotion and percentage math, contracts, and show-by-show P&L. For a venue or promoter whose product is the calendar and the settlement, it is sharp. What lives between the offer and the payout — advancing, crew, the credential gate, and the audience — is where ATLVS runs.

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Bottom line

Prism for the calendar and the settlement. ATLVS for booking through settlement and the entire production in the middle — advancing, the field, the gate, and the public.

Last updated June 18, 2026

Feature Comparison.

Side by side, no marketing math.

Feature	ATLVS	Prism.fm
Booking calendar: holds, offers, confirms Prism's core strength
Settlement, co-pro splits, show P&L
Contracts + offer generation
Production advancing (riders, stage plots, RFIs)
Crew ops in the field (clock-in, shifts, offline)
Credentials & accreditation
Offline gate scan (sub-100ms atomic)
Procurement, vendor COIs, Stripe Connect payouts		Settlement-side
Public marketplace (tickets, talent, gigs, RFPs)
Knowledge base · LMS · certifications
Per-org pricing, unlimited users
One record store: office · field · public · knowledge

Where We Win.

Everything between offer and payout

Prism brackets the show with the offer and the settlement. ATLVS runs the production in between — advancing, crew, procurement, the gate — on the same record the deal lives on.

The field and the gate

COMPVSS scans at the gate offline and runs crew clock-in. Prism is a booking and finance surface; it does not go to the field.

The audience side

GVTEWAY is a public marketplace — discovery, talent, gigs, RFPs. Prism faces the venue's booking team, not the guest.

One org, every line of work

Festivals, activations, fabrication and broadcast share one platform. Prism is tuned for the music-venue calendar specifically.

When Prism.fm Wins.

We're not the right call for every room. These are the cases where they are.

Your product is the booking calendar and the settlement, and production is handled by the touring or building side. Prism's music-industry deal math (radius clauses, co-pro splits, hold periods) is deep.
You run a single music room or a promoter desk where holds, offers and settlement are 90% of the job and there is little production advance to track.

Migration Path.

For teams moving from Prism.fm.

Export Prism shows, offers and settlement records as CSV → maps to ATLVS booking, finance and ROS
Confirmed dates sync into ATLVS via webhook so the production advance opens the moment a hold converts
Most venues keep Prism on the booking desk during transition and run advancing, the gate and the public side on ATLVS

Read the long-form on Prism.fm alternatives →

vs. Prism.fm · FAQ

Does ATLVS do holds, offers and settlement like Prism?

Yes — booking calendar with holds and confirms, offer generation, contracts and show P&L through settlement. The difference is that the deal shares a record store with the advance, the gate and the public side, so the show is connected from first hold to final cost report.

Can I keep Prism for booking and use ATLVS for production?

Yes. Webhook confirmed shows from Prism into ATLVS; the production advance, crew, procurement and gate ops open automatically. Reconcile settlement numbers nightly.

ATLVS Is Open.

Free forever for small teams. Migrate when you're ready.